#1. Music for two halves clarinetes
#2. Music for different mutes and water (under revision)
In“Pelleas et Melisande around the opera” I am also using the clarinet played under the water
Collaboration: Isak Goldschneider


The idea of "Música invisible para clarinete" is to re-think the instrument from a different perspective, slightly away from its tradition and its literature. The organology - technical aspects of how instruments produce sound - and the exploration of different acoustical possibilities are the raw material from which the piece is built.
Extended techniques refer to new skills and a work in the boundaries of the tradition of the instrument, but mainly they aim at suggesting different perspectives to the perception.