Collaboration: John Addison


#1. Double:
Counterpoint of two lines growing to extended polyphony by means of multiphonics.

Going back and forward in small regions of the string allows the performer to capture subtle upper harmonics in the form of patterns.

A complete continuous gliss in the 3rd string with occasional dialogues with the adjacent I and IV. The architecture of the string has the shape of a mirror, so does the piece.

A music a little too low to be heard. 4th string scordatura one octave below.
scores, harmonic charts and videos with the techniques coming soon! If you are interested in knowing more about this work, please contact me.
“In between cracks
the are lots of sounds
able to be perceived with magnifying glasses
but others, can only be heard
with the lens of our own emotions.
I want you to lend me
your ears
to make my music.”
Música invisible para cello - Libro V (2008) /
Invisible music for cello - Book V

The idea of "Música invisible para cello" is to re-think the instrument from a different perspective, slightly away from its tradition and its literature. The organology - technical aspects of how instruments produce sound - and the exploration of different acoustical possibilities are the raw material from which the piece is built.
Extended techniques refer to new skills and a work in the boundaries of the tradition of the instrument, but mainly they aim at suggesting different perspectives to the perception.